A brief look at the set & Visual FX behind the CANON Freeze Tag piece and the work that went into it...ENJOY!
This Visual Effects Blog is a meeting place for Visual Effects people and creative teams from all over the world. The intention is to exchange ideas and tricks in order to contribute to your production and Visual Effects, 3D, and Motion Graphics for Film, Commercials and Music Videos.www.twodoorfx.com
Tuesday, April 26, 2011
Monday, April 25, 2011
Sony unveils NEX-FS100 E-mount professional camcorder
Sony has launched the NEX-FS100 E-mount professional camcorder. The model, whose development was originally announced in November last year, is the latest addition to the company's NXCAM line-up of broadcast-standard camcorders. It features an Exmor CMOS sensor in what the company describes as Super35 format (essentially the same size as the APS-C sensors seen in existing E-mount cameras). It records 1080p Full HD videos at various frame rates depending on region (60, 30 and 24fps in NTSC countries, 50 and 25 in PAL) at bitrates of up to 28Mbps. Other features include a 3.5" LCD, built-in GPS, SDXC compatibility and Slow-motion video recording. The camcorder also features industry-standard XLR audio connectors. It will be offered as a kit with the Sony E 18-200mm F3.5-6.3 OSS lens at a suggested retail price of $5850. The company has also launched the world's first dust- and rain-proof professional HD camcorder in the shape of HXR-NX70.
Lenses
Wednesday, April 20, 2011
S-LOG
World's First Sony F3 S-Log Test - Behind the Scenes from Next Level Pictures on Vimeo.
New York City, NY (April 18, 2011) Next Level Pictures in association with Tstop Cinema teamed up with Abel Cine, Kessler Crane, Wide Open Camera, Angenieux, Carl Zeiss, Cooke, Tyler Mounts, and Miller to unveil the worlds first ever camera test using the Sony F3 with S-Log. S-Log isn’t scheduled for official release until late summer 2011 so we are proud to get our hands on the camera and put it through several latitude tests to include helicopter aerials by Vincent Laforet, vibrant Vegas city lights, and skin tone tests of two models in ten different locations throughout Las Vegas at NAB 2011. The crew of twelve had only ten hours with the camera to produce and film the entire project. The purpose of this test is to compare the latitude and image quality of the new S-Log firmware to native EX codec.